Boram Ahn is a South Korean pianist based in Berlin. She has worked on a broad operatic repertoire in North America and Europe.Her recent engagements include the Staatsoper Berlin (Il Barbiere di Siviglia, Fin de Partie by György Kurtág; children’s operas: Offenbachs Erzählungen – Eine Reise zum Mond und darüber hinaus, Träume – eine Nacht im Elfenwald), Kammeroper Schloss Rheinsberg, Komische Oper Berlin, Theater Neustrelitz (Neues vom Tage by Paul Hindemith and Aufstieg und Fall der Stadt Mahagonny by Kurt Weill), Brandenburg Opera Retreat, Opéra du Grand Sud (Les pêcheurs de perles), and Académie Internationale de Musique Française Michel Plasson.
She has also been engaged by Theater Osnabrück (Fidelio, Der Bettelstudent), Landestheater Detmold (Der Fliegende Holländer, Rigoletto, Elegies for Young Lovers by Hans Werner Henze), Thüringer Schlossfestspiele Sondershausen (Anatevka), and Theater Nordhausen (Salome, Anatevka, Luisa Fernanda).In addition, she has worked with the Canadian Vocal Arts Institute, Brevard Music Festival, Lyric Opera Studio Weimar, Narnia Vocal Arts Festival, and Berlin Opera Academy as pianist and repetiteur. Since 2023, she has been a faculty member of the Dramatic Voices Program Berlin, where she has coached and performed in productions of Die Walküre, Elektra, and Ariadne auf Naxos.
She studied composition, piano, and collaborative piano at McGill University. During her studies, she served as a repetiteur for numerous Opera McGill productions, including La Bohème, Dido and Aeneas, the Canadian premiere of Volpone by John Musto, The Rake’s Progress, and The Turn of the Screw. During this time, she worked with composers, pianists, and conductors such as Brian Cherney, Jean Lesage, Richard Raymond, Kyoko Hashimoto, Michael McMahon, Patrick Hansen, and Julian Wachner.
For a complete CV, please contact at info@boramahn.de